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The night baby Azaria Chamberlain was taken from a tent at Ayers Rock (now Uluru) resulted in one of the biggest legal and media events in Australia in the 1980s.
Azaria’s mother, Lindy, was cleared of any connection with her disappearance, but not before she served three years in prison for murder.
This small black dress prompted speculation that Lindy always dressed her baby in black, an ‘unnatural’ colour for a child.
Chamberlain case
Lindy Chamberlain was camping with her husband Michael and three children, when the youngest, Azaria, was taken from the family tent on 17 August 1980.
An initial inquest supported the Chamberlains' statement that a dingo had entered the family tent and taken the baby. A subsequent trial found Lindy guilty of the murder of her child and she was imprisoned for three years.
Further investigations and legal proceedings eventually cleared the Chamberlains of any connection with the disappearance of their daughter. A fourth coronial inquest, in 2012, found Azaria's death was the result of being attacked and taken by a dingo.
Chamberlain collection
The National Museum of Australia has more than 350 objects donated by or purchased from the Chamberlain family and more than 200 items from other sources associated with the case. The collection relates to events surrounding the disappearance of Azaria Chamberlain and the subsequent experiences of her family.
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A section of dashboard from the Chamberlain’s family car
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Cushion used during Azaria Chamberlain’s memorial service, and cushion used in the memorial service scene in the film Evil Angels
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Souvenir Azaria Chamberlain trial tea towel

A child’s parka worn on the Chamberlain family camping trip
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Detail from a child’s parka
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Craft smock worn by Lindy Chamberlain
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A lantern torch
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Space blanket

Souvenir T-shirt
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Souvenir T-shirt
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Souvenir T-shirt
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A sundress which belonged to Azaria Chamberlain
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A small coffin used by Michael Chamberlain in an anti-smoking campaign
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The door number from Lindy Chamberlain’s prison cell
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Campsite scene incident map
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Hair from Kahlia Chamberlain’s first haircut
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Biscuit tin from the set of Evil Angels
Intense speculation
During the 1980s discussion about Azaria's disappearance rarely focused on the facts of the case. Speculation about Lindy's innocence or guilt was intense.
The fact that the Chamberlains were Seventh-Day Adventists led to bizarre rumours and theories. For instance, it was said that Adventists believed in sacrificing a child to atone for sin and that Azaria's name meant 'sacrifice in the wilderness'.
The rumour that Lindy dressed Azaria in black prompted further debate and outrage.
Azaria's black dress was a one-off creation that Lindy originally made for one of her sons. The public comment that it generated on its first outing was nothing compared to what followed when Azaria disappeared.
Lindy Chamberlain-Creighton, Through My Eyes, 1990, p. 16:
For Azaria's six week check-up, both of us were dressed in our matching black and red outfits. It was the first time I had ever taken her out publicly in a little black cotton dress I had made for Reagan and it caused quite a bit of comment. People either loved or hated it.
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Controversy continues
Controversy and interest in the Chamberlain case continues today.
The National Museum has worked with Lindy Chamberlain-Creighton to compile a collection related to Azaria's disappearance and the Chamberlain's ordeal.
The Museum and the Chamberlain-Creighton family have faced criticism for putting the collection together.
The collection was seen by some to be in bad taste, or as Lindy exploiting her experience. Others expressed the view that the case was too recent for the Museum to become involved.
Lindy's experience of intense judgement and scrutiny made her a perceptive collector and archivist. Azaria's black dress is a significant, evocative and moving part of a fascinating collection.
Eternity series 14 Oct 2007
Conversation with Lindy Chamberlain-Creighton
In our collection