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Emily: the impossible modernist

John McDonald and Dr Margo Neale with Virginia Trioli

Emily Kame Kngwarreye series, 28 September 2008

ABC journalist Virginia Trioli discusses the work of artist Emily Kngwarreye with Sydney Morning Herald art critic John McDonald and National Museum curator Margo Neale. Does Emily’s work compare with modernism? Is it considered abstract expressionist?

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art, emily, exhibition, indigenous

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Ninety years ago on a French hillside: a story of Mont St Quentin

Dr Peter Stanley, National Museum of Australia

Historical Interpretation series, 31 August 2008

The story of one Australian platoon involved in the 1918 battle of Mont St Quentin, as told by historian Peter Stanley, who follows the 12 men throughout their lives.

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biography, conflict

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Into the west: Torres Strait Islander railway workers, migration and belonging

Dr Shino Konishi, Australian National University

Historical Interpretation series, 28 August 2008

Historian Shino Konishi explores the experiences in the 1960s of young Torres Strait Islander men who moved from the Torres Strait to the Australian mainland to work on railway construction.

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indigenous, industry, migration, work

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Janet on the spot

Janet Holmes à Court and Dr Margo Neale

Emily Kame Kngwarreye series, 23 August 2008

Renowned art collector Janet Holmes à Court discusses the deeply moving work of Aboriginal artist Emily Kame Kngwarreye with National Museum curator Margo Neale.

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art, collection, emily, indigenous

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New directions

Gwen Horsfield and Chrischona Schmidt, Australian National University

Emily Kame Kngwarreye series, 22 August 2008

Chrischona Schmidt examines Emily Kame Kngwarreye’s role as painter in the community of Utopia and Gwen Horsfield looks at Australia’s participation at the Venice Biennale 1978-2007, where Emily was one of the featured Australian artists.

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art, emily, indigenous

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Emily Kame Kngwarreye: her place in Australian art

Susan McCulloch

Emily Kame Kngwarreye series, 22 August 2008

Art writer and critic Susan McCulloch discusses the significance of Emily Kame Kngwarreye in twentieth-century Australian art, her contribution to its development and the stylistic breakthroughs of her work.

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art, emily, indigenous

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‘Why do those fellas paint like me …?’ Emily Kame Kngwarreye symposium welcome and introduction

Dennis Grant, Dr Margo Neale and Agnes Shea

Emily Kame Kngwarreye series, 22 August 2008

The National Museum’s Margo Neale and Dennis Grant welcome participants to the Emily Kame Kngwarreye symposium, for the exchange of cultural perspectives by Australian and Japanese speakers. Includes a welcome by Ngunnawal elder Agnes Shea.

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art, emily, indigenous

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Japanese responses to the Emily exhibition

Chiaki Ajoika, Hitomi Toku and Mayumi Uchida

Emily Kame Kngwarreye series, 22 August 2008

Art historian Chiaki Ajoika, Aboriginal art consultant Mayumi Uchida and Australian Embassy official Hitomi Toku discuss Japanese responses to the Osaka and Tokyo exhibitions of Emily Kame Kngwarreye’s work, with Ronin Films managing director Andrew Pike.

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art, emily, indigenous

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Emily as located historian: the Camel Lady narrates a history of discovery without 1788

Professor Ann McGrath, Australian National University

Emily Kame Kngwarreye series, 22 August 2008

Historian Ann McGrath discusses paintings as agents of history, bringing history into the present. She looks at the work of Emily Kame Kngwarreye to investigate how paintings tell different stories depending on where they are presented.

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art, emily, indigenous

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Emily Kngwarreye’s practice of painting: an international perspective

Professor Terry Smith, University of Pittsburgh, United States

Emily Kame Kngwarreye series, 22 August 2008

Art historian Terry Smith explores how Emily Kame Kngwarreye’s work operates between the evolution of Indigenous and non-Indigenous art in Australia. He draws comparisons with the achievements of contemporary European artists.

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art, emily, indigenous

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